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Ce que nous avons laissé derrière nous aide à avancer
2024
Chih-Chien Wang

Chih-Chien Wang was born in Taiwan and lives in Montreal since completing a master’s degree in the Department of Studio Arts, at Concordia University in 2002. He studied previously in cinema and theatre at the Chinese Culture University in Taipei, Taiwan.He is appointed associate professor of photography at Concordia University in 2023. Recent solo exhibitions include Maison de la culture Janine-Sutto (2022), Plein Sud (2019), Kunstlerhaus Bethenien (2016), Art Gallery of Mississauga (2015), Darling Foundry in Montreal (2015), Expression in Saint-Hyacinthe (2014), Musée régional de Rimouski (2013), Montreal Museum of Fine Arts (2012).

Chih-Chien Wang focuses his photographic and videographic practice on the perception of the moment and the experience of daily life.

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Details
Category
Arts décoratifs, Stained Glass
Acquisition mode
Architectural integration, Public commission from the Ville de Montréal
Materials
glass, ink
Overall size
1 niche: 379 X 241 2 niche: 379 X 292 3 niche (centrale): 379 X 400 4 niche : 379 X 292 5 niche: 379 X 241
Technique(s)
Glass printing
External link
Location
Location
Location
Hôtel de ville
Localization
Rez de chaussée
Adress
275, rue Notre-Dame Est

Artwork description

Presentation of the artwork

The artwork is composed of five prints on glass of photographs of a young person’s hand in interaction with plants often regarded as weeds (bindweed, sow thistle, and ragweed). The images are the result of Wang’s observations of and reflections about these plants, which he found in his garden.
«Ce que nous avons laissé derrière nous aide à avancer» offers a contemplative space in which transparency, democracy, and temporality can be rethought and relearned.

The images, from left to right:

– A sprig of bindweed within a softly closed fist. The young hand suggests the idea of possibilities offered and points to a future to be shaped.
– Bits of sow thistle. The roots, leaves, stems, and flower, disconnected from each other, become individual parts of the plant, but they also form a collective whole.
– A young hand joyously shakes a mass of bindweed roots, stems, leaves, and flowers. The plant and the hand’s gesture suggest movement, as if a flag were floating in the wind or a long-tailed kite were flying in the sky, a child holding its string.
– Bits of ragweed. Its roots, leaves, stems, and flowers seem to be different units that are distanced from the plant, even as they form a collective whole.
– A bindweed has slipped between the fingers of a closed fist. Together, the hand and the plant form a gesture of uprising.

By presenting and interacting with plants, the work encourages us to rethink who we are both as individuals and as human beings in society.