

Born in Saint-Louis-de-Courville in 1931, Ivanhoë Fortier studied at the École des beaux-arts de Montréal in the late 1950s and, after an initial interest in painting, chose to concentrate on sculpture. In his practice, he experiments with various materials such as metals, stone, plaster and wood to create works with an architectural allure, many of which impress with their monumentality. Deeply attached to the problems of form, materials and space, as well as to the question of the environment, he formulated very precise ideas on the relationship between sculpture and architecture, to the point of proposing, in the 1970s, “habitable” sculptures that could function as both home and studio. Since the beginning of his career, Ivanhoë Fortier has exhibited his work both in Quebec and abroad. Monographic exhibitions of his work were presented at the Musée du Québec in 1971 and at the Musée d’art contemporain de Montréal in 1979. The artist won a prize in sculpture at the Concours artistiques de la Province de Québec in 1962. Parallel to his career as an artist, he is also a teacher, having taught for nearly thirty years at the Université du Québec à Montréal.
Artwork description
Throughout the entire 1960s and 1970s, Ivanhoë Fortier explored many materials, creating works that respect the inherent qualities of each one. Tour sublunaire is composed of cut metal, a technique that lends itself well to the deployment of forms in space. This particular piece, composed of criss-crossed cut metal sheets, can be quickly grasped without having to carefully examine it to understand its spatial articulation. Non-figurative in style, Fortier’s sculpture features sharp-edged, geometric shapes. As its title indicates, it stands between Earth and Moon, and was produced the year Alexei Leonov conducted the first spacewalk.