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Prisme
2014
Jean-Sébastien Denis
1970

Painter, photographer, and video artist Jean-Sébastien Denis was born in Sherbrooke in 1970. He has lived and worked in Montréal since 1993. Mr. Denis studied fine arts at UQAM, where he received the Jacques de Tonnancour graduate award in 1997. He has since taken part in several group and solo exhibitions in Montréal, Sherbrooke, Toronto, France and Germany. The artist’s pictorial approach stems from a reflection on movement and the instability of the things around us. It attempts to translate the complexity of the world by working from a broad spectrum of pictorial methods. His recent series draws on the intersection between the palpable and the virtual that typifies our current reality.

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Details
Category
Painting
Acquisition mode
Politique d'intégration des arts à l'architecture et à l'environnement, Government of Quebec
Overall size
3 walls covered with 18 canvases forming a vertical rectangle of 12.18 m x 4.71 m for a total circumference of 12.18 m x 12.13 m
Support
canvas
Mediums
acrylic, graphite pencil, liquid pigments
External link
Location
Location
Location
McGill University Health Centre, Glen site
Localization
McConnell Resource Centre - B RC.0000
Adress
1001 Decarie boulevard, Montréal, QC H4A
Accessibility
Open 8 a.m. to 4 p.m., Monday to Friday

Artwork description

A painting project adapted to the conceptual, functional and physical specificities of the space it is called upon to inhabit, this piece fulfils the need to strike a balance between dynamism and tranquillity, which formed the thrust of the design philosophy for this complex. The work features a composition formed by the relationship between various heterogeneous elements — a metaphor for life and our movement through the public space. At the same time, it conveys the impression of suspended movement conducive to spiritual rest and meditation. The placement of the forms and lines emphasizes the multiple viewpoints from which it will be possible to observe the work – this is possible from multiple angles surrounding the structure and through the windows from four different floors. In short, this work establishes a dynamic relationship between image, space and spectator; in doing so, it promotes a harmonious experience of integration, where each person participates in and influences the reading of the whole, which is constantly being renewed, depending on the vantage point.