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{"title":"Sans titre | Art Public Montr\u00e9al","thisUrl":"https:\/\/artpublicmontreal.ca\/en\/oeuvre\/sans-titre-1897\/","body_class":"apm_artwork-template-default single single-apm_artwork postid-50306 apm lang-en apm-imported-item apm-full-js nav-env-classic","query_hud":null,"active_filter":null,"alternate_language_url":"https:\/\/artpublicmontreal.ca\/oeuvre\/sans-titre-1897\/","clear_filter_collection":0,"clear_filter_tour":"clear","data_attributes":{"data-view-type":"apm_artwork"},"filter_root_url":"\/collection\/","artworkNav":false,"mapMarkers":[{"id":50306,"slug":"sans-titre-1897","title":"Sans titre","permalink":"https:\/\/artpublicmontreal.ca\/en\/oeuvre\/sans-titre-1897\/","year":"1964","loc":{"lat":"45.500500","long":"-73.594335"},"artist_names":"<span>Carlos Sergio<\/span> <strong>Signori<\/strong>","thumb":"https:\/\/artpublicmontreal.ca\/wp-content\/uploads\/imported\/1897_4994-150x150.jpg","infoBox":false,"cat_color":"#e50f09","env":"outdoor","singleArtwork":true}]}
Sans titre
1964
Carlos Sergio Signori
1906 - 1988

Carlo Sergio Signori was born in Milan in 1906. In 1935, he attended the Académie André Lothe in Paris, alongside some of the greatest artists of his time: Giacometti, Léger, De Chirico, and Zadkine. In 1958, the Venice Biennale granted him a personal gallery, in which he presented 15 artworks. During his career, Signori had shows around the world and produced a number of works of public art. He died in Carrare, Italy, in 1988.

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Details
Category
Sculpture
Acquisition mode
Purchase
Materials
marble
Overall size
274 x 127 x 81 cm
Technique(s)
direct carving
External link
Location
Location
Location
Parc du Mont-Royal
Tours
Tour
Tour
Parc Mont-Royal
  • 27 Artworks
  • 1h30min
  • Lac-aux-Castors Pavilion
  • Chalet du Mont-Royal

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Artwork description

The work, presented in Mount Royal Park, is carved out of a block of white granite that rests directly on the ground. Abstract in form, it reflects one of the central artistic concerns of the 1960s: the highlighting of material as subject.

The monolithic artwork explores the formal components of sculpture: material, weight, notion of stability. Its lateral faces are horizontally striated, but the spacing of the horizontal marks, in relief or counter-relief, varies on each face. The artwork, its surface unfinished, shows an inclination.